![]() ![]() This episode shows a parody of the 1960s movie, The Birds.The gang finds showbiz to be tough, and endure countless stunt injuries while squabbling with their co-stars. The Goodfeathers, at Bobby's insistance, work as stuntbirds on Alfred Hitchcock's lastest masterpiece. In the Latin Spanish dub, Dot says "Ha Ha."Īnimated by StarToons See also: Episode 4: Hooked on a Ceiling/Goodfeathers: The Beginning#Film Projector Transition.In the end, the Warners accidentally run over Jim Morrison, the late lead singer of the Doors. This is a parody of the song " The End" by the Doors, which was the theme of Apocalypse Now. Throughout the cartoon, a song sung by Jess Harnell impersonating Jim Morrison indicates the beginning, middle and ending of the story.When Yakko supposes that there could be a trap around the soundstage and he is proven right, Dot says, "Thank you, Amazing Kreskin." The Amazing Kreskin is a famous mentalist.Director appears to be fat, bald, and wearing a purple suit like Marlon Brando's character Colonel Kurtz in this episode unlike his skinnier appearance in other episodes. Director's movie, The Wretched Clown, is a parody of Jerry Lewis' unreleased dramatic film The Day the Clown Cried, which also suffered from production problems. This cartoon is a parody of the documentary Hearts of Darkness, which chronicled the making of the movie Apocalypse Now, which is also parodied." The Ending" (with variations for the beginning and the middle).Director from making his next film as he has gone insane and overbudget. Hitchcock has some fun in the episode introduction, taking the viewer on a "behind the scenes" tour of the television studio, and narrowly avoiding being pulverised by a heavy object.Thaddeus Plotz hires the Warners to stop Mr. Also look out for film noir stalwart Elisha Cook Jr. Is this the developing mould of Marion Crane, an anti-heroine who deserved everything she got? Gene Barry has an excellent presence, a smouldering ex-convict who's always contemplating his next move. Usually, a leading lady can be expected to be innocent and virtuous (as was Patricia Hitchcock in the previous episode, "Into Thin Air"), but Lois Williams is pretty much rotten from the beginning, a cowardly and unrepentant opportunist. Nancy Gates, not an actress I'm familiar with, convincingly plays a shivering emotional wreck, a wretched woman who both understands and accepts that her time is up. Both of the leads deliver strong performances. It's this sort of efficient storytelling that produces the best half-hour episodes most of the characters' back-story can be filled in automatically by the viewer, allowing a considerable amount of drama to unfold in an otherwise limited running-time. "Salvage" jumps full-swing into its story, with its shifty female protagonist (Nancy Gates) already fearing the arrival of a paroled gangster (Gene Barry, his second appearance in the series) whose brother she betrayed to the authorities. In many cases, as in "Don't Come Back Alive" (Season 1, Episode 4), this restriction hindered the quality, but here it serves as a positive. While sitcoms or TV dramas may have hours to develop characters and plot lines, anthology series such as "Alfred Hitchcock Presents" had just under thirty minutes to unfold a complete standalone story. Television has always been a distinct artistic medium from film, mostly with regards to running times. The best episode since the Hitchcock-directed pilot, "Salvage" (Season 1, Episode 6) is an excellent addition to series. But first, if you've been watching this program, I'm certain you all know when we have "but first." Here it is. Tonight's story concerns well, well, small matter. Himself - Host: Oh, the title's unimportant. Himself - Host: You know, I sometimes consider getting out of this business. Propman, make-up man, electricians, cameraman. The friendly cooperation of many, many people is needed to bring you these stories. We wanted to take you behind the scenes for a moment to show you how we make our films. ![]() ![]() Quiet back there- Oh, oh, I beg your pardon. I mean, look, this is supposed to be a night scene, yet it 's full of daylight. I think you've got much too much fill light. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |